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Daniel Jernigan is an Assistant Professor with the Division of English. His interests include drama and theatre studies, postmodernism and creative writing. Dr. Jernigan's critical work on Caryl Churchill and Tom Stoppard has been published in Modern Drama and Comparative Drama. He is currently working on a manuscript entitled Caryl Churchill: Epistemological Upheaval and Ideological Resistance. Dr Jernigan is also a published playwright who received his PhD from Purdue University, USA.

PUBLICATIONS

“Serious Money Becomes “Business by Other Means”: Caryl Churchill’s Unique Metatheatrical Subject” Comparative Drama. Winter, 2004.

"Los Chicharrones". The Massachusetts Review. Fall, 2004.

“Traps, Softcops, Blue Heart, and This is a Chair: Tracking Epistemological Upheaval in Caryl Churchill’s Shorter Plays.” Modern Drama. Spring, 2004.

“On-line Education and Student-Teacher Relations: Fighting Plagiarism in an Internet Environment.” Proceedings of The Fifth International Conference on Information Communication Technologies in Education. Summer 2004.

“Tom Stoppard and “Postmodern Science”: Normalizing Radical Epistemologies in Hapgood and Arcadia.” Comparative Drama. 37 (Spring, 2003) 3-35.

“Theatrical Collusion with Multi-national Capitalism in Caryl Churchill’s Serious Money.” Text and Presentation. Spring, 2001.

FORTHCOMING PUPLICATIONS

“John Mighton,” Encyclopedia of Modern Drama, edited by Gabrielle H. Cody and Evert Sprinchorn. Summer, 2005.

“Scientific Americans,” Encyclopedia of Modern Drama, edited by Gabrielle H. Cody and Evert Sprinchorn. Summer, 2005.

PRESENTATIONS

“On-line Education and Student-Teacher Relations: Fighting Plagiarism in an Internet Environment.” The Fifth International Conference on Information Communication Technologies in Education, Samos Island, Greece (July, 2004)

“The Alienation Techniques of Luis Valdez and El Teatro Campesino’s Social Protest Theatre: Querying the Means of Theatrical Production”, Southwest/Texas Popular Culture Association, University of New Mexico (February 2003)

“Border Crossing in the New Millennium: Postmodern Ramifications of the NAFTA.” Southwest/Texas Popular Culture Association, University of New Mexico (February 2002)

“Tom Stoppard’s Hapgood: Quantum Metaphor, Classical Results.” International Association of Philosophy and Literature. SUNY Stony Brook (May 2000)

“Communication in the age of Multi-national Capitalism In Tom Stoppard’s Night and Day and Caryl Churchill’s Serious Money.” Comparative Drama Conference, The Ohio State University (April 2000).

“Theatrical Collusion with Multi-national Capitalism in Caryl Churchill’s Serious Money.” Twentieth-Century Literature Conference, University of Louisville (February 2000).

“Joyce and Stoppard: The Aesthetics of Self Promotion.” Eleventh Annual Miami J'yce[sic] Conference, Miami (January 1997).

“Burke and Austin: On The Impossibility of a Lockean Rhetoric.” Conference on College Composition and Communication, Washington (March 1995).