Victorian
Narratives of Failed Emigration: Settlers, Returnees, and Nineteenth–Century
Literature in English. London and New York: Routledge, 2016.
Ed., Domestic Fiction
in Colonial Australia and New Zealand.
London: Pickering & Chatto, 2014.
Ed., Frances Trollope. London: Routledge, 2013.
Ed., Charlotte Yonge:
Rereading Domestic Religious Fiction. London: Routledge,
2012.
Ed., Victorian Settler Narratives: Emigrants,
Cosmopolitans and Returnees in Nineteenth-Century Literature.
London: Pickering & Chatto, 2011. Paperback edition 2016.
Ed., notes,
and introduction. The
Widow Wedded; or The Adventures of the Barnabys in America. By Frances
Trollope. 1843. London: Pickering & Chatto,
2011.
Financial
Speculation in Victorian Fiction: Plotting Money and the Novel Genre, 1815-1901.
Columbus: Ohio State University Press, 2010. [single-authored
monograph]
Ed., Antifeminism and the Victorian Novel: Rereading Nineteenth-Century
Women Writers. Amherst, New York: Cambria Press,
2009.
Co-ed., with Narin Hassan,
Consuming Culture in the Long
Nineteenth-Century: Narratives of Consumption, 1700-1900.
Lanham: Lexington Books, 2007. Paperback edition 2010.
Longing: Narratives of Nostalgia in the British
Novel, 1740-1890.
Lewisburg: Bucknell University Press, 2004. [single-authored monograph]
Edited Special Issues:
The
Nineteenth-Century Pacific Rim.
Spec. issue of Victorian
Literature and Culture 43, no.2 (2015).
Girls’ Culture in
Colonial Australia and New Zealand.
Spec. issue of Women’s Writing 21,
no.2 (May 2014).
Frances Trollope.
Spec. issue of Women’s Writing 18,
no.2 (May 2011).
Charlotte Yonge.
Spec. issue of Women’s Writing 17,
no.2 (December 2010).
(co-edited with Julia Kuehn) Victorian Orient. Spec. issue of Critical
Survey 21, no.1 (2009).
Silver-Fork Fiction.
Spec. issue of Women’s Writing 16,
no.2 (August 2009).
Journal Articles:
“George Eliot and the Lady Novelists.”
Victorian Literary
Critics. Spec. issue of Nineteenth-Century
Prose 43, no.1-2 (2016): 65-80.
“‘Everything was a system with Rachel’:
Charlotte Yonge’s Modern Mothers and Victorian
Childrearing Manuals.” Victorians
Institute Journal 43 (2016): 41-66.
“The
New Chum Girl: Upending Colonial Clichés in Lilian
Turner’s Emigration Novel.” Journal of
Australian Studies 40, no.1 (March 2016): 45-58.
“‘But
the baby of course is the first object’: The Superfluous Infant in Trollope’s
Comic Marriage Novel.” Victorians: A
Journal of Culture and Literature128 (Fall 2015):
55-72.
“Victorian Failed Emigration and the
Superfluity Debates: Elizabeth Murray’s Ella Norman.”
Journal of Victorian Culture 20, no.1
(2015): 101-120.
“The
Nineteenth-Century Pacific Rim: Victorian Transoceanic Studies Beyond the Postcolonial Matrix.” Victorian Literature and Culture 43, no.2 (2015): 223-234. doi:10.1017/S1060150314000527.
“‘A Little Maid-Errant’: Ethel Turner’s
Suburban Colonial Girl.” Girls’
Culture in Colonial Australia and New Zealand. Spec. issue of Women’s Writing 21, no.2 (May 2014):
202-228.
“Girls
at the Antipodes: Bush Girlhood and Colonial Women’s Writing.” Girls’ Culture in Colonial
Australia and New Zealand. Spec. issue of Women’s Writing 21, no.2 (May 2014): 139-147.
“The Reluctant Settler’s Narrative Delay:
Weaning On Board Ship in Susanna Moodie’s
Flora Lyndsay.”
Nineteenth-Century Contexts 35, no.1
(2013): 1-21.
“The
False Clues of Innocent Sensations: Aborting Adultery Plots in Rhoda
Broughton’s Nancy.” Women’s Writing
20, no.2 (May 2013): 1-17.
“‘Hours of morbid entertainment: Self-Irony
and Replayed Clichés in Hsu-Ming Teo’s Fiction.” JASAL (Journal
of the Association for the Study of Australian Literature) 12, no.2 (2012): 1-9.
“The
Making of Criminal Children: Stealing Orphans from Oliver Twist to A Little Princess.” Victorians: A Journal of Culture and Literature [formerly, the
Victorian Newsletter] (Spring 2012): 68-83.
“The
Domestic Novel’s Antipodes: False Heirs and Reclaimed Returnees in Charlotte Yonge’s My Young Alcides.”
Journal of Australian Studies 35, no.3 (September 2011),
317-334.
“Imperialist
Commerce and the Demystified Orient: Semicolonial
China in Nineteenth-Century English Literature.” Postcolonial Text 6, no.3 (2011): 1-17.
“Honour! that’s for men”: Satirising Gender and Genre Confines in
Margaret Oliphant’s Phoebe, Junior.” Nineteenth-Century Gender Studies 7,
no.3 (2011): n.p.
“Returning the Returnee’s Narrative: Charlotte
Evans’s Domestic Fiction of Victorian New Zealand.”
Nineteenth-Century Contexts 33, no.3
(July 2011): 247-66.
“Beyond Domestic Manners: Repositioning Frances
Trollope in Literary History.” Frances Trollope. Spec. issue of Women’s Writing 18, no.2 (May 2011): 153-166.
“‘Did You Ever Hear of Such a Thing as Settlements?’: Settling Outstanding Accounts in Frances Trollope’s
American Novels.” Frances
Trollope. Spec. issue of Women’s Writing 18, no.2, (May 2011): 233-255.
“Containing Emotional Distress: The Elusive Letter
Novel in Villette.”
Brontë Studies 36, no. 2 (April 2011): 131-40.
“Dickens’s
‘gentleman for Nowhere’: Reversing Technological
Gothic in the Linkages of Mugby Junction.” Dickens Quarterly 28, no.1 (March 2011):
52-64.
“Led Astray to be Newly Framed: Redeeming
Sensational Fraud in Charlotte Yonge’s Epistolary
Experiments.” Charlotte
Yonge. Spec. issue of Women’s Writing 17, no.2 (December 2010): 304-322.
“Novelist
with a Reserved Mission: The Different Forms of Charlotte Mary Yonge.” Charlotte Yonge. Spec. issue of Women’s Writing 17, no.2 (December 2010): 213-220.
“Speculating on American Markets: Foreign Money
Matters and the New British Businessman in the Victorian Novel.”
Symbiosis 14, no.2
(October 2010), 195-217.
“‘Very
saleable articles, indeed’: Margaret Oliphant’s Repackaging
of Sensational Finance.” Modern Language
Quarterly: A Journal of Literary History 71, no. 1 (March 2010): 51-74.
“Clinical Gothic: Sensationalising Substance Abuse in the
Victorian Home.” Gothic
and Addiction. Spec. issue of Gothic
Studies 11, no.2 (2009): 30-40.
“Home
Work: The Ambiguous Valorisation of ‘Affliction’ in Charlotte Yonge’s The Pillars
of the House (1873).” Victorian
Review 35, no.2 (2009): 101-115.
“Violating Private Papers: Sensational Epistolarity and Violence in Victorian Detective Fiction.”
The Wenshan Review of Literature and Culture 3, no.1 (December 2009): 23-53.
“From
Satirised Silver Cutlery to the Allure of the Anti-Domestic in
Nineteenth-Century Women’s Writing: Silver-Fork
Fiction & Its Literary Legacies.” Silver-Fork Fiction.
Spec. issue of Women’s Writing 16,
no.2 (August 2009): 181-190.
“Silver-Fork
Legacies: Sensationalising Fashionable Fiction.” Silver-Fork Fiction. Spec. issue
of Women’s Writing 16, no.2 (August 2009),
301-322.
“Stretching ‘The Sensational Sixties’: Genre and
Sensationalism in Domestic Fiction by Victorian Women Writers.”
Victorian Review 35, no.1 (2009):
211-228.
“London's
Great Starfish: The Construction of Mid-Victorian Suburban Fiction.” Cahiers Victoriens
& Edouardiens 69 (2009): 151-167.
(co-written with Julia Kuehn), “Beyond Orientalism: Texting
the Victorian East.” Victorian
Orient. Spec. issue of Critical
Survey 21, no.1 (2009):1-3.
“Speculators
at Home in the Victorian Novel: Making Stock-Market Villains and New ‘Paper
Fictions.’” Victorian Literature and
Culture 36, no.1 (2008): 43-62.
“Depressed Spirits and Failed Crisis Management:
Charlotte Yonge’s Sensationalisation
of the Religious Family.” Victorians
Institute Journal 36 (2008): 275-302.
“‘Essentially
a Lady’: Resistant Values of the Shabby-Genteel in Ellen Wood’s Novels of
Highlife.” Women’s Writing 15, no. 2
(2008): 200-219.
“‘If
he belonged to me, I should not like it at all’: Managing Disability and
Dependencies in Charlotte Yonge’s The Two Guardians.” Nineteenth-Century Gender Studies 4, no.2 (2008): n.p.
“‘Old
Marley married a Chinese writer’: Towards An
Aesthetics of Confident Intertextuality.” Asiatic 2, no.2 (2008): 52-64.
“Lost in a Good Book: Remapping the Victorian Novel
in Post-Millennium Britain.” Victorians Institute Journal
35 (2007): 81-108.
“Speculations on Inheritance and Anne Brontë’s Legacy for the Victorian Custody Novel.”
Women’s Writing 14, no.1 (2007):
117-139.
“Fighting
Another’s War: Imperialist Projections on the Victorian Novel’s Continent.” Victorian Representations of
War. Spec. issue of Les
Cahiers Victoriens & Edouardiens
66 (2007): 319-338.
“Oriental
Halves and Unlovely Hybrids: Rewriting Racialisation
and Discourses on Degeneration in Victorian Southeast Asia.” Science and Race. Spec. issue of Journal of Commonwealth Studies: Les carnets
du Cerpac 5 (2007): 197-218.
“Victorian
Narrative Forms Beyond Recovery:
Preface to a Revisited Nineteenth Century.” Revisiting the
Nineteenth Century.
Spec. issue of Fiction and Drama 18,
no. 1 (2007): i-x.
“The
‘Silver-Fork’ Governess: Shifting Highlife in Catherine Gore’s Novels.” Revisiting the Nineteenth
Century. Spec. issue of Fiction
and Drama 18, no. 1 (2007): 91-113.
“Boutique
Multiculturalism and the Consumption of Repulsion: Re-Disseminating Food
Fictions in Malaysian and Singaporean Diasporic
Novels.” Journal of Commonwealth Literature 42, no.1 (2007): 31-46.
“Singapore’s
New Thrillers: Boldly Going Beyond the Ethnographic
Map.” ARIEL: A Review of International
English Literature 37, no.2-3 (2006): 69-90.
“‘Magnetic’
Clues to the Past: Reinvestigating the Victorians’ Regency in Eleanor’s Victory.” CLUES 25, no.1 (2006): 81-95.
“Victims
of Boutique Multiculturalism: Malaysian Chinese and Peranakan
Women Writers and the Dangers of Self-Exoticisation.”
TRANS (2006)
<http://www.inst.at/trans/16Nr/02_2/wagner16.htm>
“The
Miser’s New Notes and the Victorian Sensation Novel: Plotting the Magic of
Paper Money.” Literature
and Money. Spec. issue of Victorian
Review 31, no.2 (2005): 79-98.
“Wilkie Collins’s Custody Novels: Parental Abduction and
Family Business.” Wilkie Collins Society Journal 8 (2005):
31-47.
“‘A Strange Chronicle of the Olden Time:’ Revisions
of the Regency in the Construction of Victorian Domestic Fiction.”
Modern Language Quarterly: A Journal of
Literary History 66, no.4 (2005): 443-475.
“Victorian
Fictions of the Nerves: Telepathy and Depression in Wilkie
Collins’s The Two Destinies.” Victorians Institute Journal 32 (2004):
189-214.
“High-Rise
Heartlands: Singapore’s Fictional Cityscapes.” Genre 24 (2004): 166-182.
“Emulative
versus Revisionist Occidentalism: Monetary and Other Values in Recent
Singaporean Fiction.” Journal of
Commonwealth Literature 39, no.2 (2004): 73-94.
“‘A
barrage of ethnic comparisons’: Occidental Stereotypes in Amy Tan’s Novels.” Critique: Studies in Contemporary Fiction
45, no.4 (2004): 435-445.
“‘After
another round of tissues’: ‘Bad Time’ Fiction and the Amy Tan-Syndrome in
Recent Singaporean Novels.” Journal of
Commonwealth Literature 38, no.2 (2003): 19-39.
“Nostalgia
for Home or Homelands: Romantic Nationalism and the Indeterminate Narrative in
Frances Burney’s The Wanderer.” Cardiff
Corvey: Reading the Romantic Text 10 (2003)
<http://www.cf.ac.uk/encap/corvey/articles/ cc10_n03.html>
“Overpowering
Vitality: Nostalgia and Men of Sensibility in the Fiction of Wilkie Collins.” Modern
Language Quarterly: A Journal of Literary History 63, no.4 (2002): 473-502.
“Phrenology and Representations of Physical
Deviance in Victorian Fiction.”
Postgraduate English 5 (2002)
<http://www.dur.ac.uk/~dng0zz5/wagner.htm>
“Nostalgia,
Historicity, Hybridity: Representations of Asian Identities in the Historical
Novels of Kazuo Ishiguro and Catherine Lim.” Atlantic Literary Review 2, no.4 (2001): 154-65.
“John
Collier’s Tummus and Meary:
Distinguishing Features of Eighteenth-Century Southeast Lancashire Dialect.” Neuphilologische Mitteilungen – Bulletin de la Societe
Neophilologique – Bulletin of the Modern Language
Society 100, no.2 (1999): 191-205.
Book Chapters:
“Charlotte
Brontë’s Ashworth:
From Adapted Angrian Villains to Recurring Sibling
Pairs.” In Charlotte Brontë from the Beginnings: New Essays from Juvenilia to
the Major Works. Eds. Judith Pike and Lucy Morrison. London and New York: Routledge, 2016. 126-40.
“Trollope and Emigration.”
In The Routledge Companion to Anthony Trollope. Eds. Deborah Denenholz Morse et al. London and New York: Routledge,
2016. 388-98.
“The Novel in Malaya and
Singapore to 1950.” In The Oxford History of the
Novel in English. Volume IX: The World Novel in English to 1950.
Eds. Ralph Crane, Jane Stafford, and Mark Williams.
Oxford: Oxford UP, 2016. 73-90.
“Travel Writing.” In Cambridge Companion to Victorian Women’s Writing, 1830-1900. Ed. Linda Peterson.
Cambridge: Cambridge UP, 2015. 175-188.
“Children On Board: Transoceanic
Crossings in Victorian Domestic Fiction.” In Transport
in British Fiction; Technologies of Mobility 1840-1940. Eds. Adrienne E. Gavin and Andrew F. Humphries. Houndmills, Basingstoke: Palgrave Macmillan, 2015. 69-83.
“Tigerish Skin and Burnt
Bouquets: Domestic Gothic in Wives and Daughters.” In Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial
Essays. Ed. Mitsuharu Matsuoka. Osaka, JP: Osaka Kyoiku Tosho, 2015. 425-39.
“Gothic and the Victorian Home.” In The Gothic World. Ed. Dale Townsend and Glennis Byron.
London and New York: Routledge, 2014. 110-20.
“The
Colonial Girl’s Own Papers: Girl
Authors, Editors, and Australian Girlhood in Ethel Turner’s Three Little Maids.” In
Colonial Girlhood in Literature, Culture and History, 1840-1950. Eds. Kristine Moruzi and Michelle Smith. Houndmills,
Basingstoke: Palgrave Macmillan, 2014.
“‘The velocity of the novel-producing apparatus”
and “large loose baggy monsters’: The Changing Reputation of the Victorian
Novel.” In 21st Century Perspectives on Victorian
Literature. Ed. Larry Mazzeno.
Lanham: Rowman & Littlefield, 2014. 15-27.
“Introduction: Victorian Domestic Fiction Down
Under.” In Domestic Fiction in Colonial Australia and New Zealand. Ed. Tamara S. Wagner.
London: Pickering & Chatto, 2014. 1-20.
“Fugitive Homes: Multiple Migrations in
Ethel Turner’s Fiction.” In Domestic Fiction in Colonial Australia and New Zealand. Ed.
Tamara S. Wagner. London: Pickering & Chatto,
2014. 91-110.
“Silver Fork Novel
(Fashionable Novel).” In Oxford Bibliographies in Victorian Literature. Ed. Juliet John. New York: Oxford UP, 2014.
“The Old Gothic and the
New: The Trollopes’ Wild West.” In The Transnational Gothic: Literary and Social Exchanges in the
Long Nineteenth Century. Ed. Bridget Marshall and
Monika Elbert.
Aldershot: Ashgate, 2013. 49-67.
“Transatlantic
Sensationalism in Victorian Domestic Fiction: Failed Settler Narratives in
Charlotte Yonge’s The
Trial.” In Transatlantic
Sensations. Ed. Jennifer Phegley
and John Barton. Aldershot: Ashgate, 2012. 221-37.
“Re-Plotting
Inheritance: The Triangulation of Legacies and Affinities in The Fatal Three (1888).” In New Perspectives on Mary Elizabeth Braddon.
DQR Studies in Literature 50. Ed. Jessica Cox.
Amsterdam/New York; Rodopi, 2012.
175-94.
“‘Would you have us laughed out of Bath?’: Shopping Around for Fashion and
Fashionable Fiction in Jane Austen Adaptations.” In Women, Popular Culture, and the Eighteenth
Century.
Ed. Tiffany Potter. Toronto: U of Toronto P, 2012. 257-73.
“The
Ends of Occidentalist Desire in Conrad’s ‘Malay’
Novels: ‘Every Name in History is I.’” In Conrad
and the Orient. Eds. Amar Acheraiou
and Nursel Icoz.
Boulder: East European Monographsl Lublin: Marie
Curie-Sklodowska University Press; New York: Columbia
University Press, 2012. 47-73.
“Transposing
Sherlock Holmes Across Time, Space, and Genre.” In Victorian Literature and
Film Adaptation. Ed. Abigail Burnham Bloom and
Mary Sanders Pollock. Amherst, New York: Cambria Press, 2012. 205-223.
“Imperialist
Fictions of Piracy and the Ends of Romantic Commercialism: Victorian
Businessmen Meet Malay Pirates.” In
Pirates and Mutineers of the Nineteenth Century: Swashbucklers and Swindlers.
Ed. Grace Moore. Aldershot: Ashgate, 2011. 255-71.
"Unfolding
Dual Diaspora in Minority Fiction of Singaporeans Abroad: The Dead Other At
Home in Josephine Chia’s Shadows Across the Sun.” In Transforming Diaspora:
Communities beyond National Boundaries. Eds. Parmita Kapadia and Robin Field.
Rutherford: Fairleigh Dickinson UP, 2011. 135-151.
“Settling Back in At Home: Impostors and Imperial
Panic in Victorian Narratives of Return.”
In Victorian
Settler Narratives: Emigrants, Cosmopolitans and Returnees in
Nineteenth-Century Literature. Ed. Tamara S.
Wagner. London: Pickering & Chatto, 2011, 111-127.
“Narrating Domestic Portability: Emigration,
Domesticity and Genre Formation.” In Victorian Settler Narratives: Emigrants,
Cosmopolitans and Returnees in Nineteenth-Century Literature.
Ed. Tamara S. Wagner. London: Pickering & Chatto, 2011, 1-22.
“Foreign
Fantasies and Genres in Bride &
Prejudice: Jane Austen Re-Orientalises British Bollywood.” Re-Orientalism and South Asian Identity
Politics: The Oriental Other Within. Eds. Ana Mendes and
Lisa Lau. London and New York: Routledge, 2011.
103-23.
“Introduction.”
The Widow Wedded; or The
Adventures of the Barnabys in America. By Frances Trollope. 1843. London: Pickering & Chatto, 2011. ix-xxix.
“Detecting
Business Fraud at Home: White Collar Crime and the Sensational Clergyman in
Victorian Domestic Fiction.” In Victorian Secrecy:
Economies of Knowledge and Concealment. Ed. Albert C. Pionke and Denise Tischler Millstein.
Aldershot: Ashgate, 2010. 115-33.
“Ominous
Signs or False Clues?: Difference and Deformity in Wilkie Collins’s Sensation Novels.” In Demons of the Body and Mind: Essays on Disability in Gothic Literature.
Ed. Ruth Bienstock
Anolik. Jefferson, NC: McFarland, 2010.
47-67.
“‘Social
Suicide – yes’: Sensational Legacies in Mary Cholmondeley’s
Diana Tempest.” In Mary Cholmondeley.
Ed Carolyn Oulton and SueAnn Schatz. London: Brookfield: Pickering & Chatto, 2010.
11-23.
“Boutique Alterity: Southeast Asian Exotics At Home and Abroad.” In Alterities in Asia: Reflections on Identity and
Regionalism. Ed. Leong Yew. New York and London: Routledge, 2010. 110-25.
“The
Victorian Sermon Novel: Domesticated Spirituality and the Sermon’s Sensationalisation.” In A
New History of the Sermon: The Nineteenth Century. Ed.
Robert Ellison. Leiden and Boston: Brill, 2010. 309-38.
“Sensationalising Women
Writers: Madwomen in Attics, the Sensational Canon, and Generic Confinement.” In The Madwoman in the Attic 30 Years After. Ed.
Annette Federico. Columbia: University
of Missouri Press, 2009. 183-202.
“Introduction:
Narratives of Victorian Antifeminism.” In Antifeminism
and the Victorian Novel: Rereading Nineteenth-Century Women Writers. Ed. Tamara S. Wagner. Amherst, New York: Cambria Press,
2009. 1-18.
“Marriage-Plots
and ‘Matters of More Importance’: Sensationalising Self-Sacrifice in Victorian
Domestic Fiction.” In Antifeminism and
the Victorian Novel: Rereading Nineteenth-Century Women Writers. Ed. Tamara S. Wagner. Amherst, New York: Cambria Press,
2009. 137-158.
“Double Diasporas?
– Re-Presenting Singaporeans Abroad.” In Diasporic Histories: Cultural Archives of Chinese
Transnationalism. Ed. Deborah Madsen and Andrea Riemenschnitter. Hong Kong: Hong Kong University Press,
2009. 205-215.
“‘To my creditors I bequeath my body…’: Stock-Market Suicides and the
Narrative Allure of Self-Destruction in Victorian Fiction.” In Literature and Ethics: Questions of Responsibility in Literary Studies. Ed. Neil Murphy et al. Amherst,
New York: Cambria Press, 2009.
“Boutique Multiculturalism and the Fictionalisation
of the Victim: Selling Minority Narratives in Singapore.” In Betraying the Event: Constructions of
Victimhood in Contemporary Cultures. Ed. Fatima Festic. Newcastle upon Tyne: CSP, 2009. 21-34.
“‘We
have orphans … in stock’: Crime and the Consumption of Sensational Children.” In Nineteenth-Century
Childhood and the Rise of Consumer Culture. Ed. Dennis Denisoff. Aldershot: Ashgate,
2008. 201-215.
“The Decaying Coquette: Refashioning Highlife in
Early-Nineteenth-Century Women’s Writing, 1801-1831.”
In Refiguring the Coquette: Essays on Culture and
Coquetry. Eds. Yaël Schlick and Shelley King.
Lewisburg: Bucknell University Press, 2008. 83-102.
“Ghosts
of a Demolished Cityscape: Gothic Experiments in Singaporean Fiction.” In Asian Gothic: Essays on Literature, Film and
Anime. Ed. Andrew Ng. Jefferson. London:
McFarland, 2008. 46-60.
“A
Passion for Other Lovers: Rewriting the ‘Other’ in Ooi
Yang-May’s Fictionalisation of Multiethnic Malaysia.”
In Overcoming Passions: Race, Religion
and the Coming Community in Malaysian Cultural Studies. Ed. David Lim.
Leiden: Brill, 2008. 167-182.
“‘Gorged-out
Cadavers of Hills’: Parodying Narratives of Alterity
and Transformation in The Flame Tree.” In British Asian Fiction:
Framing the Contemporary. Eds. Neil Murphy and Sim Wai Chew. Amherst, New
York: Cambria Press, 2008. 163-182.
“‘Too
many voices’: The Double-Bind of Cultural Translation in Diasporic
Representations of Southeast Asia.” In Cultures of Translation. Eds. Klaus Stierstorfer and Monika Gomille.
Newcastle upon Tyne: CSP, 2008. 129-147.
“Rewriting Sentimental Plots: Sequels to Novels of
Sensibility by Jane Austen and Another Lady.”
In On Second Thought: Updating the Eighteenth-Century Text.
Eds. Debra Bourdeau and Elizabeth
Kraft. Newark: Delaware University Press, 2007. 210-244.
“Respectably
Dressed, or Dressed for Respect: Moral Economies of Dress in the Novels of
Victorian Women Writers.” In Styling
Texts: Dress and Fashion in Literature. Eds. Cynthia Kuhn
and Cindy Carlson. Amherst, New York: Cambria Press, 2007. 211-231.
“Sketching China and the Self-Portrait of a
Post-Romantic Traveller: John Francis Davis’s Rewriting of China in the 1840s.”
In A Century of Travels in China: A
Collection of Critical Essays on Travel Writing from the 1840s to the 1940s.
Eds. Douglas Kerr and Julia Kuehn. Hong Kong: Hong
Kong University Press, 2007. 13-26.
“Stocking up Paper Fictions: Making, Selling, and
Living the Fictitious in the Self-Portraits of the Victorian Popular Novelist.”
In Autopoetica: Representations of the Creative Process in
Nineteenth-Century Fiction. Ed. Darby Lewes.
Lanham: Lexington Books, 2006. 15-38.
“Sensationalising Victorian Suburbia: Wilkie Collins's Basil.
In Victorian Sensations: Essays
On A Scandalous Genre. Eds. Kimberly Harrison and Richard Fantina. Columbus: Ohio State University Press,
2006. 200-211.
Last updated: December 2016.