Workshop on Computational Photography and Aesthetics

held at ACCV 2010, Queenstown, New Zealand

9 November 2010

Click to see LNCS proceedings

Program

9amKeynote
From Durer's Engravings to Picasso's One-Line Drawings: On Non-photorealistic Image Renderings via Curve Evolutions

Alfred M. Bruckstein,
Technion, Israel and
NTU (SPMS and IMI), Singapore

Abstract

This talk will discuss several challenges in non-photorealistic image rendering.

Emulating the art of the classic engravers, like Durer, requires the development of algorithms to generate curve networks whose local density and flow is intelligently controlled by the image and its gradient, and this can be done by level-set based shape from shading techniques. Picasso, or Calder-like renderings require procedures to extract essential contours, or edges from grey-level images and connect them in interesting, naturally flowing ways, and this leads to some new and interesting mathematical challenges.

The presentation will be based on several papers deaing with non-photorealistic, engraving-like renderings, and with image representations by one-liners, describing our (hopeless!) attempts to emulate grand masters like Durer, Picasso and Calder.

10amPaper session C. Valente and R. Klette, Simulating artworks through filter blending

J. Rigau, M. Feixas, and M. Sbert, Image information in digital photography

P.-Y. Lo, S.-W. Shih, J.-C. Liu, and J.-S. Hong, Automatically detecting protruding objects when shooting environmental portraits

T. Sachs, R. Kakarala, S. Castleman, and D. Rajan, A data-driven approach to understanding skill in photographic composition

M. Constable, Artist-led suggestions towards an approach in content aware 3D NPR rendering

12:30pmLunch

Purpose of workshop

Computational Photography is now well-established as a field for research on what lies beyond the conventional boundaries of digital photography. The newer field of Computational Aesthetics has seen much interest within the fields of computer graphics, art history, and cultural studies. This workshop will provide an opportunity for researchers working in both areas, photography as well as aesthetics, to meet and discuss their ideas in a collegial and interactive format. Papers are invited on relevant topics including, but not limited to, the following:

  1. What constitutes style in visual art, be it painting, drawing, film, or photography and to what extent are these culturally located?
  2. Can elements of artistic style be learned through computer vision techniques?
  3. If the artistic style involves symmetries, as in the tilings of the Alhambra, can computer vision be used to recognize and classify the symmetries?
  4. What do expert photographers see that amateurs do not when composing a picture? Can computer vision and behavioral studies (eye-tracking) tell us?
  5. How can numerical techniques facilitate the implementation of algorithms in computational photography?
  6. How can imaging techniques and algorithms be applied to non-image modalities, such as touch sensing?
  7. How do aesthetic considerations affect the design of image pipeline algorithms used in digital cameras?

We encourage participation from researchers with either quantitative (computer science, engineering, mathematical) or qualitative (artistic, art history, art theory) approaches. The program will be single-track with oral presentations.

Organizers

Ramakrishna Kakarala, Nanyang Technological University (NTU)
Martin Constable, NTU
Xue-cheng Tai, NTU

Contact:

email

Program Committee

Todd Sachs, Aptina Imaging
Xuemei Zhang, HP Labs
Shannon Lee Castleman, NTU
Deepu Rajan, NTU
Soon-Hwa Oh, NTU
Philip Ogunbona, U. Wollongong

Updated 21 October 2010